by Liane Curtis | Oct 10, 2023
By Dr. April Lynn James. Part 1 is published here My bestselling book,* The Tenth Muse: How Maria Antonia Advanced the Pastoral Opera, is a major revision of the dissertation I completed in 2002. Why did I not publish it then? I had other things to do with my life...
by Liane Curtis | Aug 29, 2023
By Dr. April Lynn James Affectionately known as The PhDiva!!!, Dr. April is a classically trained soprano with a PhD from Harvard best known for her groundbreaking work returning operas composed by women to the world’s stages. She survived her Harvard doctoral...
by Liane Curtis | Jun 26, 2023
Start the week by catching up with some of the exciting and GOOD news!! San Francisco Opera has staged its first work by a woman composer, El último sueño de Frida y Diego by Gabriela Lena Frank and (librettist) Nilo Cruz. Also the first production of a work in...
by Liane Curtis | Mar 7, 2023
By Dr. Amy Zigler, an Ethel Smyth scholar and Associate Professor of Music at Salem College. She will be speaking about the recording, the female characters, and issues of agency in Der Wald at the Operatic Feminisms symposium on March 25, 2023, at Columbia...
by Liane Curtis | Nov 22, 2022
We are deeply honored to have Dr. Marcia J. Citron as a guest blogger. Dr. Citron is Professor Emerita at the Shepherd School of Music, Rice University. The author of When Opera Meets Film (Cambridge UP, 2010) and Opera on Screen (Yale UP, 2000), her groundbreaking...
by Liane Curtis | Nov 1, 2022
by Amy Zigler, PhD, Associate Professor of Music, Salem College 116 years after its premiere, Dame Ethel Smyth’s The Wreckers received its first-ever staging by a major American opera house. In keeping with its renewed focus on the ‘grand’ in Houston Grand Opera, the...