by Liane Curtis | Oct 14, 2022
Applications for our Grant Program are open, and we have extended the deadline to Nov. 15! We realize that that our revised program is unconventional, proposing channels of communication between your artistic planners and the experts on our Board. But we believe the...
by Liane Curtis | Oct 10, 2022
We are saddened to learn of the passing of Dr. Barbara Garvey Jackson (1929-2022, obituary here), who worked for decades to advocate for music by women composers. She was a Professor at the University of Arkansas in Fayetteville, and has generations of students who...
by Liane Curtis | Oct 8, 2022
We rarely blog on the weekends, but we wanted to make sure we mentioned the performance tomorrow (Sunday, Oct. 9) in Australia of Ethel Smyth’s Mass — it may in fact be the first performance of that monumental work in Australia, and it is very a rare all-Smyth...
by Liane Curtis | Oct 6, 2022
Editor’s Note: While our focus at WPA is on women in classical music, we know the boundaries of the term “classical” have always been flexible and porous, from the earliest music of the Western church appropriating popular melodies, to Lizzo...
by Liane Curtis | Sep 23, 2022
By Elizabeth de Brito In this brand-new series, we will be introducing some of the essential orchestral music by women. We offer starting points for those unfamiliar with the vast body of work by women. This is not an exhaustive list, there are many more brilliant...
