by Liane Curtis | Aug 8, 2022
Hope your week is off to a great start! The continuing push for women conductors, and Marin Alsop’s role in supporting more recognition, training and opportunities for women in the field is noted in this review of the “Breaking Barriers” Festival at Chicago’s Ravinia....
by Liane Curtis | Jul 25, 2022
Africlassical blog brings us lots of good news! We always love hearing what Jeri Lynne Johnson and Black Pearl Chamber Orchestra are up to (pictured, Johnson at left leading a workshop) – fantastic news that they have been awarded a Mellon Foundation Grant for their...
by Liane Curtis | Jul 19, 2022
The music of Dame Ethel Smyth continues to draw more performances and recognition. Liane Curtis attended the moving performance of Smyth’s opera “The Wreckers” at the renowned Glyndebourne Festival, and offered this review. Glyndebourne’s video of the production...
by Liane Curtis | Jul 12, 2022
We have news about women conductors this week!! At the Chicago Symphony, Apprentice Conductor Lina González-Granados stepped in for Ricardo Muti with a minute’s notice – (really!) exciting moments in the life of a young conductor, and she has earned acclaim all...
by Liane Curtis | May 2, 2022
The rediscovery and exploration of important music by Margaret Bonds is continuing! Wed. May 4, 10:30 AM EDT: Online presentation and discussion: “Margaret Bonds and Black Radicalism” with Dr. Malcolm J. Merriweather, Dr. Rollo A. Dilworth and Dr. Tammy L. Kernodle. ...
by Liane Curtis | Apr 18, 2022
A bit of news to start your week! Bethan Langford as Maria Theresia von Paradis in The Paradis Files. Photograph: Patrick Baldwin We are intrigued by the new opera that explores the life of the blind composer and pianist, Maria Theresia von Paradis (1759-1824). “The...
