Featured Guest Blogger: Amy Zigler reviews “The Wreckers”

Featured Guest Blogger: Amy Zigler reviews “The Wreckers”

    Dr. Amy Zigler is Visiting Assistant Professor of Music at Salem College in Winston-Salem, NC.  She specializes in music of the 19th and 20th centuries, with a focus on the cultural study of chamber music, the social history of music in Germany and Great Britain,...

The Wreckers: An Opera for our Time

Ethel Smyth’s “The Wreckers” (1906) will receive its’ first staged US performance Friday night (July 24) at Bard Summerscape (total of 5 performances).  NPR’s All Things Considered aired a feature (available here)  about this historic performance (Musicologist...

Grieving and healing: Julia Perry’s “Stabat Mater”

The U.S. continues to mourn the massacre of nine African Americans in a South Carolina church.  At the Rev. Clementa Pinckney’s funeral service, President Barack Obama drew on the healing power of words melded with music, as he sang “Amazing Grace.”  This was a...
Portrait of the Composer as a Young Woman

Portrait of the Composer as a Young Woman

As noted earlier, I’m performing in the BARS Concert June 6. I’ve written the program notes for the concert, and here they are! The three pieces on our program today are linked, as our title suggests, by all being composed when their creators were young...
Portrait of the Composer as a Young Woman

WPA President as Orchestral Cellist

“I’d like to play in that,” was my immediate reaction on hearing about the program planned for June 6, 2015, by the Bay Area Rainbow Symphony in San Francisco.   I’d been communicating with BARS about how to obtain the score and parts for Ethel Smyth’s...