Tania León’s Stride: A Review

Tania León’s Stride: A Review

When considering that the canon of western art music is based in a system of white supremacy and patriarchy, it is a sad truth that most of the music that is presented in classrooms and concert halls is written by dead, white, men.  Scholars continue to spend great...
The Programming of BIPOC Composers

The Programming of BIPOC Composers

By Sarah Baer Our 2023-2024 repertoire report for the top 21 orchestras in the US (as determined by operating budget) is out — with not-great news about the current state of programming as it relates to works by women and non-binary composers.  In this post I’m...
2023-2024 Season: By The Numbers

2023-2024 Season: By The Numbers

Sarah Baer offers her annual statistical study of the representation of women composers in the top 21 U.S. orchestras; also the representation and role of women conductors is examined.  Liane Curtis also offered editorial input to this article. Symphony orchestras...
On The Passing of Kaija Saariaho

On The Passing of Kaija Saariaho

We are saddened to hear about the death of Finnish composer Kaija Saariaho, who passed away at home in Paris overnight.  In October 2022 there were celebrations around the world for her 70th birthday.  Immediately prior to her passing, Saariaho completed a concerto...
Celebrating Louise Farrenc’s Symphonies

Celebrating Louise Farrenc’s Symphonies

By Sarah Baer We are remembering the life and work of French composer, pianist, and educator Louise Farrenc.  This is fitting not just because her birthday is May 31 (she would be 219 this year), but because WPA Publishing has released new editions of two of her...