The most anticipated and celebrated summer festival each year — as well as one of the oldest, and longest, running from July to September.  The Proms always presents an interesting range of ensembles, conductors, soloists, and styles.  The 2016 season kicks off on Friday, July 15, demonstrating that this season is going to be much as last years.  Meaning:  what the Proms continues to be missing, like most music line-ups around the world, is equal representation (or something close to it).  Compared to last year the 2016 lineup is a bit – well – lacking.  Which isn’t to say that there are some excellent treasures included.

Works by Women Composers

Prom 4: The Munich Philharmonic Orchestra; Valery Gergiev, conductor

Galina Ustvolskaya: Symphony No. 3, ‘Jesus Messiah, Save Us!’

Prom 10 and Prom 12: Ten Pieces II presented by the BBC Philharmonic; Alpesh Chauhan, conductor
[Reprising a similar event held last year which includes works included in a new curriculum for secondary school students across the UK exploring “essential” pieces of classical music.]

Anna Clyne: Night Ferry

Prom 22: BBC Symphony Orchestra; Edward Gardner, conductor

Lera Auerbach: Infant Minstrel and His Peculiar Menagerie (Symphony No. 3)
BBC co-commission with the Bergen Philharmonic and the Orchestra de la Suisse Romande: UK Premiere

Prom 27: BBC Scottish Symphony Orchestra; Thomas Dausgaard, conductor

Helen Grime: Two Eardley Pictures – 1: Catterline in Winter
BBC Commission: world premiere

Prom 29: National Youth Orchestra of Great Britain; Edward Garner, conductor

Iris ter Schiphorst: Gravitational Waves
BBC co-commission with the National Youth Orchestra of Great Britain: London premiere

Prom 30: National Youth Orchestra of Scotland; Ilan Volkov, conductor

Helen Grime: Two Eardley Pictures – 2: Snow
BBC commission: world premiere

Prom 39: BBC Symphony Orchestra, Sakari Oramo, conductor

Charlotte Bray: Falling in the Fire
BBC Commission: world premiere

Prom 53: Royal Liverpool Philharmonic Orchestra; Vasily Petrenko, conductor

Emily Howard: Torus (Concerto for Orchestra)
BBC co-commission with the Royal Liverpool Philharmonic Orchestra: world premiere

Proms Chamber Music 7: Armida Quartet

Sally Beamish : Merula perpetua
BBC co-commission with the Royal Philharmonic Society: world premiere

Marin Alsop has had the honor for the past two years of conducting the final night of the Proms – and was the first woman to do so.  Though Sakari Oramo has the honor this year, Alsop is conducting the Sao Paulo Symphony in Prom 51, though no women composers are included.  (Alsop is also conducing Verdi’s Requiem in Prom 74.)

The new conductor of the City of Birmingham Symphony Orchestra, Migra Gražinytė-Tyla, will be leading the ensemble in Prom 55 – but, again, no works by women will be heard.

And, as always, some perspective.  There are 112 composers represented in the 2016 Proms – 8 of whom are women.  Only one of those women will have more than one piece heard.  Unfortunately, and as we have come to anticipate there has been little progress since the 2015 Proms  – and, in fact we may be moving backwards.  (In 2015 there were 11 women composers represented, versus this year’s 8) .  Ustvolskaya (1919–2006) is the only historic woman, and her 14 minute Symphony is of course important, but even so, at 14 minutes it is the shortest of the four pieces on that program.   And isn’t it strange that (again) there will not be any performances of works by Master of the Queen’s Music Judith Weir?

It is noteworthy that so many of the works by women being heard are premieres and commissioned pieces by young, talented composers.  But it seems that the range of voices is still embarrassingly small.

The full list of events, including options to sort by composer, conductor, and performer, are available here.