by Liane Curtis | Apr 6, 2016
Composer Elena Langer has achieved a brilliant success as she “completes” the Figaro “trilogy” for Welsh National Opera. Complementing Mozart’s “Marriage” and Rossini’s “The Barber of Seville,”...
by Liane Curtis | Feb 11, 2016
Carol Cubberley, a freelance violinist in Boston, MA, became interested in uncovering music by women while at Boston Conservatory, and chose to play only music composed by women at her masters recital. In 2013 Carol was the violinist for the Apple Hill Festival...
by Liane Curtis | Oct 29, 2015
The Women Composers Festival of Hartford (WCFH) is an indomitable event that has been taking place in March for fifteen years. Composers, musicians and scholars come together to create this Festival, and on Friday October 26, 2015, their Board of Directors organized...
by Liane Curtis | Jul 23, 2015
Ethel Smyth’s “The Wreckers” (1906) will receive its’ first staged US performance Friday night (July 24) at Bard Summerscape (total of 5 performances). NPR’s All Things Considered aired a feature (available here) about this historic performance (Musicologist...
by Liane Curtis | Feb 21, 2015
“The Norwegians have their Grieg, The Finns their Sibelius, the Poles have their Chopin. And WE have Emilie Mayer – we just didn’t know it until now!” So proclaimed the northern German Nordkurrier in May 2012, when the Neubrandenburger Philharmonie...
