by Liane Curtis | Feb 15, 2018
With two upcoming performances of music by Dora Pejačević taking place in the next few weeks, we wonder if this remarkable but little-known composer, who was writing powerful orchestral works a century ago, is finally ready for rediscovery. [Wondering how to...
by Liane Curtis | Aug 11, 2017
We are happy to welcome guest blogger Timothy Diovanni! An undergraduate student in musicology at Columbia University, he is also a clarinetist. He writes extensively about New York City’s music scene as a columnist at The Columbia Lion and he has his own blog,...
by Liane Curtis | Sep 8, 2016
We’ve had pushback on some of the information in our blog post on the 2016-2017 orchestral repertoire of the top 21 U.S. orchestras. A statement by musicologist and writer Steve Ledbetter (on his Facebook page), that these 14 orchestras “have totally turned...
by Liane Curtis | May 12, 2016
UPDATE: Read a review of the “The Prison”s American debut. While composer Ethel Smyth (1858-1944) has some name recognition, one of her most important works, the concert-length cantata “The Prison”, has never been performed in the U.S.....
by Liane Curtis | Apr 6, 2016
Composer Elena Langer has achieved a brilliant success as she “completes” the Figaro “trilogy” for Welsh National Opera. Complementing Mozart’s “Marriage” and Rossini’s “The Barber of Seville,”...
