The London Times reported that Sir Peter Maxwell Davies has set text by Hildegard of Bingen in a new work: Liber Pulsationis Fabulatoris (which translates to, “The Book of Pulsations of the Creator of Legends.”) The piece was commissioned as part of the celebration...
The New York Times reviewed the premiere of Ellen Taaffe Zwilich’s Symphony No. 5. Zwilich, who has broken a lot of ground for women composers including being the first woman composer to earn a doctorate from Juilliard as well as being the first woman composer to win...
It was not all that long ago that women musicians were denied the chance to perform in a professional orchestra. The fight to be allowed a seat was hard fought, but won. The progress that has been made since that time, only several decades ago, is quite impressive....
The importance of authorship will always be a hot topic for musicologists. I spent my fair share of time hovering over Foucault’s essay on the Author Function, contemplating what influence the composers name itself has on the public reception of a work. When...
In the research that I have done about the performance of works by women composers in major American symphonies, what is only slightly more surprising than the prevalence of works written by dead, white, men is the number of solo pieces that are performed during a...
