by Liane Curtis | Dec 29, 2023
“I’ve never changed the world before, I’m not really sure how long it takes.” Marge Simpson We at Women’s Philharmonic Advocacy have been working to change the world of orchestral music for a long time. We are in it for the long run. We know...
by Liane Curtis | Mar 7, 2023
By Dr. Amy Zigler, an Ethel Smyth scholar and Associate Professor of Music at Salem College. She will be speaking about the recording, the female characters, and issues of agency in Der Wald at the Operatic Feminisms symposium on March 25, 2023, at Columbia...
by Liane Curtis | Nov 1, 2022
by Amy Zigler, PhD, Associate Professor of Music, Salem College 116 years after its premiere, Dame Ethel Smyth’s The Wreckers received its first-ever staging by a major American opera house. In keeping with its renewed focus on the ‘grand’ in Houston Grand Opera, the...
by Liane Curtis | Oct 19, 2014
In its three performances this weekend, the Baltimore Symphony Orchestra took a monumental step in bringing to light an 1873 Overture by Swedish composer Elfrida Andrée (1841-1929). The concerts have been led by guest conductor Arild Remmereit. Devoted readers will...